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Adam Hill

[peer reviewed]

Adam Hill, painter and performer was born on the 11th March, 1970 at Blacktown in the western suburbs of Sydney. Hill studied Graphic Design at the University of Western Sydney, Nepean Campus and graduated with a Bachelor of Arts in 1994.

While working as a graphic designer for the Indigenous Australians exhibition at the Australian Museum in 1997, Hill met the Wollongong-based artist Kevin Butler who became his main inspiration to begin painting. Hill took up painting in 1998 and describes his work, which uses acrylic house paint on canvas, as "vast colourful landscapes with reminders of colonial imposition ". Originally using house-paint because it was free, Hill now uses it as he enjoys its density, consistency, durability and affordability.

Hill's work is informed by his research into historical records of Aboriginal resistance, ethnography and anthropology. In the June 2006 edition of Australian Art Collector writer Adam Geczy said of his work; "Hill's commentary is laced with humorous bluster. An amalgam of poster art and hip-hop, Adam Hill's painting still has no parallel in the Aboriginal art community. His works are typically acerbic attacks on abuses to the environment, and the continued reluctance of White communities to acknowledge the Aboriginal presence, past and present."

An artist member of Boomalli Aboriginal Artist Cooperative since 1999, Hill has exhibited in solo and group shows intermittently with them since then. His work, Hand Christian and Her Son, was included in the 2003 Telstra National Aboriginal and Torres Strait Islander Art Award at the Museum and Art Gallery of the Northern Territory and the work was selected to tour nationally as part of the award's 20th anniversary exhibition that same year. He has had solo shows outside of Boomalli including "Whitewashed" at TAP Gallery, Darlinghurst in 2004, "The Outskirts of Town" at the Canberra Grammar School in 2004, "Hand Some Returns", at Birrung Gallery (formerly Walkabout Gallery), Leichhardt in 2005 and "A sign of the crimes" in 2006 at Sydney's Mori Gallery. Hill has also worked as a muralist for Redfern Community Centre and Ashfield Council.

Adam's work is in the permanent collections of the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) in Canberra, Blacktown City Council, Liverpool City Council, NSW Parliament House, Waterloo Library and Bangarra Dance Theatre. Adam has been awarded the Mayors Choice, 2003, the Liverpool Council Award, 2004 and the Maria Locke Award, 2006 at the annual Mil-Pra Art Prize organised by the Casula Powerhouse Arts Centre. He won the Blacktown City Art Prize in 2002 and was a finalist in the 2005 and 2006 Parliament of NSW Indigenous Art Prize.

Tess Allas.

Details


Gender:

Male

Birth:

Date:

1970-03-11

Place:

Blacktown, NSW

Period active:

Dates:

1993 -

Medium:

Painting

Artwork:

Title:

Mural

Date:

2004

Note:

Redfern Community Centre, Redfern, NSW

Artwork:

Title:

Mural

Date:

2005

Note:

Ashfield Mall, Ashfield, NSW

Artwork:

Title:

Hand Christian and Her Son

Date:

2003

Note:

Included in the 2003 Telstra Aboriginal and Torres Strait Islander Art Award

Artwork:

Title:

Why Does a Dog Lick Its Balls?

Date:

2005

Note:

Finalist in 2005 NSW Parliament House Indigenous Art Prize

Artwork:

Title:

Despite Her Race She Was a Winner

Date:

2005

Note:

NSW Parliament House Permanent Collection

Artwork:

Title:

The Southern Toss

Date:

2003

Note:

Liverpool City Council

Artwork:

Title:

Stumped

Date:

2006

Note:

Commissioned image reproduction for Macarthur Shopping Complex, Campbelltown, NSW

Exhibition:

Title:

Eorascapes

Date:

2000

Place:

Sydney Opera House, Sydney, NSW

Exhibition:

Title:

Whitewashed

Date:

2004

Place:

TAP Gallery, Darlinghurst, Sydney, NSW

Exhibition:

Title:

The Outskirts of Town

Date:

2004

Place:

Canberra Grammar School, Canberra, ACT

Exhibition:

Title:

Hand Some Returns

Date:

2005

Place:

Birrung Gallery, Leichhardt, NSW

Note:

Now located in Potts Point, NSW

Exhibition:

Title:

A sign of the crimes

Date:

2006

Place:

Mori Gallery, Sydney, NSW

Collection:

Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra, ACT

Copyright:

Hill, Adam

Training:

Dates:

1994

Place:

University of Western Sydney, Nepean Campus, NSW

Note:

Bachelor of Arts

Recognition:

Blacktown City Art Prize, 2002

Recognition:

Mil-Pra Art Prize, Mayors Choice, 2003

Recognition:

Mil-Pra Art Prize, Winner, 2004

Recognition:

Mil-Pra Art Prize, Maria Locke Award, 2006

Recognition:

2003 Finalist - Telstra National Aboriginal and Torres Strait Islander Art Award

Associate:

Brown, Uncle Don

Associate:

Evans, Great Uncle Donald

Associate:

Butler, Kevin

Associate:

Bancroft, Brownyn

Associate:

Samuels, Jeffrey

Associate:

Russell, Elaine

Associate:

Abrahams, Joyce

Associate:

Jones, Jonathon

Associate:

Hookey, Gordon

Associate:

Hurst, Joe

Associate:

Murry, Graham

Associate:

Soewardi, Jake

Associate:

Watson, Edna

Associate:

Tobin, Leanne

Associate:

Eastwood, Danny

Associate:

Tjapaltjarri, Long Jack Phillipus

Associate:

Syron, Gordon

Associate:

Olsen, John

Associate:

Eastwood, James

Associated organisation:

Boomalli Aboriginal Artists Cooperative

Other occupation:

Performer

Other occupation:

Exhibitions officer

Other occupation:

Graphic designer

Other occupation:

Aboriginal education assistant

Indigenous:

Yes

Heritage country:

Place:

Burnt Bridge, Kempsey, NSW

Heritage country:

Place:

Cabbage Tree Island, NSW

Language group (indigenous):

Dhungatti

Note:

Also spelt: Dainghutti, Daingatti, Dhungatti, Thangatti, Thungguti, Thunggutti, Daingutti, Dhanggatti

Dreaming:

Resistance, Dispossession, Government Policies

Biographer:

Allas, Tess

Source of info:

Storylines Project, COFA

Date written:

Date:

2007

Reference:

Year:

2006

Author:

Gezcy, Adam

Published:

Australian Art Collector, Apr-June, Issue 35

Reference:

Author:

Hill, Adam

Published:

Information sourced from

Summary:

Adam Hill paints in acrylic house-paint on canvas, enjoying its density, consistency, durability and affordability. His work is informed by his research into historical records of Aboriginal resistance, ethnography and anthropology.

Commentary

Tess Allas noted:
Adam Hill was a finalist in the 2009 Parliament of NSW Aboriginal Art Prize.

Publication details

Artist biography edition created on 2007-11-14 22:52 and last updated on 2009-08-13 13:47
Derived from external source (related id = 7244).
This entry meets DAAO editorial standards and has been peer reviewed
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© Copyright 2007 Dictionary of Australian Artists Online