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Frances Belle Parker

[peer reviewed]
Painter, drawer, printmaker and installation artist Frances Belle Parker was born in 1982 in Dubbo, New South Wales. She is from the Yaegl people of northern New South Wales. Her mother, Lenore Parker, grew up on Ulgundahi Island in the Clarence River near Maclean on the New South Wales north coast and it was to Maclean that the family returned when Parker was still in pre-school. Ulgundahi Island was established as an Aboriginal Mission when the Scottish settlers moved into the surrounding area in the late 1800s. The Aboriginal people of this area and from as far away as Nambucca and Bowraville (NSW) were moved off their lands and onto the island. On the island the people were able to live a relatively 'free' existence. They were able to continue their traditional practices even though they were under the ever-vigilant eye of the Aboriginal Protection Board. It is because of this continued cultural life that Ulgundahi contains many places of Aboriginal significance and claims a women's sacred site.

Parker began her artistic career in 2000, the same year she won the Blake Prize for Religious Art with an acrylic on canvas work titled The Journey. She was the youngest person and first Aboriginal artist to win this award. The Journey depicted a stylised Rainbow Serpent raising itself high with a Christian crucifix surrounded in a glowing light sitting atop the serpent's head. The 2000 Blake Prize was judged by Fr Anthony Kelly, Dr Ross Mellick and Imants Tillers.

Mostly, however, Parker's work is informed by the Ulgundahi landscape and the family, community and cultural stories and memories that the island holds. Enrolling in a Bachelor of Fine Arts in Painting and Drawing at the College of Fine Arts (COFA - University of New South Wales) in 2001 enabled Parker to explore the Ulgundahi themes through scholarly research and creative practise. She completed this undergraduate degree in 2003 and continued her academic achievements at Southern Cross University in 2005 with a Bachelor of Visual Arts (Hons).

Ulgundahi has remained a constant throughout Parker's post-university career. In 2007 she won the COFA Professional Development Award for her painting The vein of our existence at the 2007 'Parliament of NSW Indigenous Art Prize'. In her artist statement in the accompanying catalogue Parker says of this work that she has depicted Beiirrimba (Clarence River) "by layering both a landscape view and an aerial view, representing my connection with the river".

The COFA Award provided Parker with a two-week residency in the COFA flat, the opportunity to work with a master artisan staff member and a solo show. Parker chose to work in printmaking with Michael Kempson. She had never worked in printmaking before with the exception of some introductory lessons during her undergraduate life. Michael Kempson introduced Parker to etching and lino-cut reduction prints. The result of this residency was her first solo exhibition, 'Identifying Ulgundahi'.

In 2007 Djon Mundine curated Parker's work into the group exhibition 'Eye Saw The Sun' at Lismore Regional Gallery, and in 2008 into 'Ngadhu, Ngulili, Ngeaninyagu - A Personal History of Aboriginal Art' at Campbelltown Arts Centre. In 2009 the Lismore Regional Gallery commissioned Parker to produce a New Media work to be shown as a stand-alone exhibition at Lismore Regional Gallery in August and September 2009.

The 2000 Blake Prize and the 2007 COFA Award are just two of a number of awards that Parker has received since embarking on an artistic career. In 2004 her installation Sorry = Reconciliation was Highly Commended in COFA's 'Jenny Birt Award'; in 2006 she was a finalist in the 23rd Telstra National Aboriginal and Torres Strait Islander Art Award with her installation of 10,000 painted wooden clothes pegs fashioned into a map of Ulgundahi Island titled Mapping Ulgundahi; and in 2007 she was Highly Commended in the Bundjalung Art Award and was the winner of the Youth Award Category for the 'Drawing Together Art Prize' in Canberra and the Overall Winner and Visual Arts Category winner of the 'ABC Northcoast Artsnest Award for Emerging Artists'.

Parker's work is held in the permanent collections of the Federal Department of Health and Ageing - Aboriginal and Torres Strait Islander Health and in Grafton Regional Gallery.

In 2009 Parker was living in Maclean and working as the Indigenous Arts Development Officer for Arts Northern Rivers as well as continuing with her work as a visual artist.



Tess Allas.

Author profile: Tess Allas has worked in the field of Aboriginal visual arts and community cultural development since the early 1990s and has a Masters in Curatorship and Modern Art from the University of Sydney. Tess worked as the Storylines Research Officer at the College of Fine Arts, UNSW from 2006 to 2009 and is currently employed as an Associate Lecturer at the School of Art History and Art Education at COFA.

Details


Gender:

Female

Birth:

Date:

1982

Place:

Dubbo, NSW

Period active:

Dates:

2000 -

Medium:

Painting

Note:

acrylic on canvas

Medium:

Installation

Note:

mixed media

Artwork:

Title:

The Journey

Date:

2000

Note:

Winner of The Blake Prize.

Artwork:

Title:

Mapping Ulgundahi

Date:

2005

Note:

Installation

Artwork:

Title:

Sorry = Reconciliation

Date:

2003

Note:

Installation of acrylics, turps release Prints, text, safety pins on pillow protector slips.

Exhibition:

Title:

Identifying Ulgundahi

Date:

2008

Place:

COFAspace Gallery, College of Fine Arts, Paddington, NSW

Note:

Also at 2009 'Dreaming Festival', Woodford, QLD.

Exhibition:

Title:

The Blake Prize

Date:

2000

Place:

S H Ervin Gallery, Sydney, NSW

Exhibition:

Title:

23rd Telstra National Aboriginal and Torres Strait Islander Art Prize

Date:

2006

Place:

Museum and Art Gallery of the Northern Territory, Darwin, NT

Exhibition:

Title:

Drawing Together

Date:

2007

Place:

National Archives, Canberra, ACT

Exhibition:

Title:

Country Energy Art Prize for Landscape Painting

Date:

2007

Place:

Dubbo Regional Art Gallery, Dubbo, NSW

Exhibition:

Title:

Parliament of NSW Indigenous Art Prize

Date:

2005 - 2006

Place:

Parliament of NSW, Sydney, NSW

Exhibition:

Title:

Ngadhu, Ngulili, Ngeaninyagu - A Personal History of Aboriginal Art in the the Premier State

Date:

2008

Place:

Campbelltown Arts Centre, Campbelltown, NSW

Exhibition:

Title:

A Special Kind of Vision

Date:

2009

Place:

Retrospect Galleries, Byron Bay, NSW

Exhibition:

Title:

I Saw The Sun

Date:

2007

Place:

Lismore Regional Gallery, Lismore, NSW

Exhibition:

Title:

Under the Mango Tree

Date:

2009-09-11 - 2009-10-31

Place:

Lismore, Regional Art Gallery, Lismore, NSW

Collection:

Federal Department of Health and Ageing - Aboriginal and Torres Strait Islander Health

Collection:

Grafton Regional Gallery, Grafton, NSW

Copyright:

Parker, Frances Belle

Training:

Dates:

2001 - 2003

Place:

College of Fine Arts, University of New South Wales, Sydney, NSW

Note:

Bachelor of Fine Arts - Painting and Drawing

Training:

Dates:

2005 - 2005

Place:

Southern Cross University, NSW

Note:

Bachelor of Visual Arts (Hons)

Recognition:

2004 Highly Commended - Jenny Birt Award

Note:

At College of Fine Arts, UNSW.

Recognition:

2006 Finalist - 23rd Telstra National Aboriginal and Torres Strait Islander Art Award

Recognition:

2007 Youth Award Category - Drawing Together

Recognition:

2000 Winner - The Blake Prize for Religious Art

Recognition:

2007 Winner - ABC Northcoast Artsnest Award for Emerging Artists

Note:

Overall winner and winner of Visual Arts Category.

Recognition:

2007 Winner - COFA Professional Development Award

Note:

Associated with the Parliament of NSW Art Prize.

Recognition:

2007 Winner of the Your Encouragement Award - Country Energy Art Prize for Landscape Painting

Recognition:

2005 Finalist - Parliament Art Prize.

Note:

Also a finalist in 2006, 2007 & 2008.

Recognition:

2007 Highly Commended - Bundjalung Art Award

Recognition:

2007 Highly Commended - Clarence Valley Indigenous Art Award

Recognition:

2009 arts commission - Lismore Regional Gallery

Note:

To create a work in New Media.

Recognition:

2010 - Participant, Red Gate Gallery Cultural Exchange Project

Associate:

Birk, Jessica

Associate:

Mundine, Djon

Associate:

Allas, Tess

Associate:

Capra, David

Associate:

Dickens, Karla

Associate:

Moran, Digby

Associate:

Lena, Garth

Associated organisation:

Arts Northern Rivers

Associated organisation:

National Association for the Visual Arts

Family member:

Person:

Birk, Jessica

Relation:

cousin

Family member:

Person:

Parker, Lenore

Relation:

mother

Family member:

Person:

Randall, Aunty Jessie

Relation:

grandmother

Residence:

Dates:

2004 -

Place:

Maclean, NSW

Residence:

Dates:

2000 - 2003

Place:

Parramatta, NSW

Residence:

Dates:

1988 - 1999

Place:

Maclean, NSW

Residence:

Dates:

1986 - 1988

Place:

Maclean and Dubbo, NSW

Residence:

Dates:

1982 - 1985

Place:

Dubbo

Other occupation:

Curator

Other occupation:

Indigenous Arts Development Officer

Note:

Arts Northern Rivers

Indigenous:

Yes

Heritage country:

Place:

Maclean, NSW

Heritage country:

Place:

Yamba, NSW

Heritage country:

Place:

Ulgundahi Island, NSW

Note:

In Clarence River near Maclean.

Language group (indigenous):

Yaegl

Language group (indigenous):

Gumbangirr

Note:

Also spelt: Gumbaungerri, Gumbangerri, Gumbainggir, Gumbainga, Gumbaingirr, Gumbaynggir, Gumbaynnggir, Gumbaynggir, Gumbayngirr, Gumbaygan

Biographer:

Tess Allas

Date written:

Date:

2007

Reference:

Title:

A Special Kind of Vision

Year:

2009, Pg 38

Author:

Arts Northern Rivers

Published:

Arts Northern Rivers, Alstonville, NSW

Reference:

Title:

Ngadhu, Ngulili, Ngeaninyagu - A Personal History of Aboriginal Art in the the Premier State

Year:

2008, Pages 15, 42 and 52.

Author:

Mundine, Djon

Published:

Campbelltown Arts Centre, Campbelltown, NSW

Note:

Pages 15, 42 and 52.

Reference:

Title:

Indigenous Law Bulletin

Year:

November/December 2002 Volume 5

Author:

Indigenous Law Centre

Published:

Indigenous Law Centre, Faculty of Law, UNSW, Kensington, NSW

Note:

Cover artwork

Reference:

Title:

God Moves in Mysterious Ways

Year:

2000/12/02

Published:

Sydney Morning Herald, Sydney, NSW

Note:

Review of Blake Prize For Religious Art.

Artist's URL:

Summary:

Frances Belle Parker is a Yaegl woman who works in a variety of media including painting, printmaking and installation. The majority of her work is based around her personal connection to the Yaegl landscape of northern New South Wales. She won the 2000 Blake Prize for Religious Art, the first Aboriginal artist to win this award.

Commentary

Tess Allas noted:
Frances Belle Parker was a finalist in the 2009 Parliament of NSW Aboriginal Art Prize. She was also selected to exhibit her works in the form of banners in the City of Sydney's 2009 'Art and About'.
Tess Allas noted:
In early 2010 Frances Belle Parker resigned from her position as the Indigenous Arts Development Officer for Arts Northern Rivers in order to concentrate full time on her art practice.

Publication details

Artist biography edition created on 2009-04-15 15:04 and last updated on 2010-09-01 18:27
This entry meets DAAO editorial standards and has been peer reviewed
This edition supersedes edition 1.
This is the latest edition.
Author profile: Tess Allas has worked in the field of Aboriginal visual arts and community cultural development since the early 1990s and has a Masters in Curatorship and Modern Art from the University of Sydney. Tess worked as the Storylines Research Officer at the College of Fine Arts, UNSW from 2006 to 2009 and is currently employed as an Associate Lecturer at the School of Art History and Art Education at COFA.
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