by Grayson, Richard, Redford, Scott.
Funded by Australia Council of the Arts. The artist's work references many different codings and languages: from those of advertising, fine art practice, popular culture ...
by Grayson, Richard, Petrusevics, Andrew.
Funded by Australia Council of the Arts. In the work of Andrew Petrusevics this went as far as echoing the design and graphics of constructivism ...
by Grayson, Richard, Wedge, Harry J.
Funded by Australia Council of the Arts. H.J. Wedge's work consists of figurative paintings, made using the dot style, which refer to incidents and events ...
by Grayson, Richard, Tan, Laurens.
Laurens Tan used a monitor as the central focus of a piece that was essentially a non-operational poker machine, borrowed the form of a futuristic ...
by Grayson, Richard, Mannall, Sally.
Funded by Australia Council of the Arts. This work used the witness request boards found on the streets of London where Mannall had been recently ...
by Grayson, Richard, Piccinini, Patricia.
Funded by Australia Council of the Arts. Patricia Picinnini used nine monitors in a horse shoe shape, which carried the sound and image of a ...
by Grayson, Richard, Reid, John.
Part of the Lawyers, guns & money project. John Reid has been working on a piece made up entirely of Australian banknotes since 1982. The ...
by Grayson, Richard, Stevenson, Michael.
Stevenson's work was built around electric buggies which had been accreted with texts and stickers referencing a multitude of concerns, from politics to 'if you ...
by Deacon, Destiny, Grayson, Richard.
Objects and photographs are speculative and from a reflexive, Koori perspective, pointing to (ab)uses of indigenous cultures within history and current media. The use of ...
by Cummins, Rebecca, Grayson, Richard.
Part of the Lawyers, guns & money project. Rebecca Cummins stacked monitors six high in a work from 1991 called Descending metaphors in which an ...
