by Miller, Brad.
Single channel CD-ROM interactive Text: McKenzie Wark Sound: Jason Gee, Derek Kreckler Funding: Australian Film Commission
CD-ROM HFS
by Fernanda Cardoso, Maria, Harley, Ross Rudesch.
Cardoso Flea Circus is performance and installation collaboration between Maria Fernanda Cardoso and Ross Rudesch Harley that has been ongoing since 1997.
Multi-media
by Lynch, Natalie.
An outdoor performance and installation celebrating the life of the infant [at a fringe of human frailty]. Melbourne International Fringe Festival, O' Donnell Gardens, St. ...
Performance poetry, concrete poetry, performance, installation
by Ben-Ary, Guy, Bunt, Stuart, Catts, Oron, Gamblen, Phil, Richards, Matt, Zurr, Ionat, SymbioticA.
Created by the SymbioticA research group in collaboration with US researchers Steve M Potter, Tom DeMarse and Alexander Shkolnik. Involved using the electrical activity of ...
installation, tissue technologies, sound, robotics
by Carson, Dave.
3-D stereoscopic video installation, collaboration between David Carson, Brian McClave & George Millward. Explores the relationship between astrophysics, art and mythology in regional Australia.
video installation
by Bishop, Cameron.
Blue Oyster Gallery Courtesy of: Deakin University. Copyright 2003, Cameron Bishop
by Khut, George, Muller, Lizzie, Turner, Greg.
Collaborative work. Interactive installation in which sensing devices measured participants' heartbeat and breathing patterns. These patterns produced an abstract interactive artwork comprising both visuals and ...
sensing devices, sound, installation, new media, programming
by Bishop, Cameron.
West Space Courtesy of: Deakin University. Copyright 2005, Cameron Bishop
by Bishop, Cameron, Reis, Simon.
Trocadero Art Space Courtesy of: Deakin University. Copyright 2006, Cameron Bishop
by Hope, Cat, Muir, Rob, Riddoch, Malcolm.
Collaborative work. Installation consisting of a shelf of books, some of which contained mobile phones which played readings of the sections of text that had ...
installation
by Gonsalves, Tina.
Using ‘emotional algorithms’ based on affective neuroscience studies, the piece demonstrates how we often have the uncanny ability to decode and predict the beliefs, goals ...
by Bishop, Cameron.
6a Gallery Courtesy of: Deakin University. Copyright 2009, Cameron Bishop
