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The Illustrated Auschwitz

by Farkas, Jackie.

Screen

The Image of Social Revolt

by Zile, Emile.

The Immortalisation of David Gulpilil

by Syron, Gordon.

Archibald entry

The Impact

by Hancock, Jules.

36x48inch Oil, charcoal and conte on canvas

The Incrimination of Light

by Beaubois, Denis Paul.

The Independent

by Nerli, Marchese Girolomo.

The Infant Samuels

by Dodd, Thomas L..

after Reynolds?

The Inlet, Augusta

by Heap, Amy Elizabeth.

Held at the Art Gallery of Western Australia, Perth, WA.

The Innocents

by Hawkins, Weaver.

The Interior of Sir Ashton Lever's Museum when at Leicester House, London

by Stone, Sarah.

The Interior of a Farm-Yard, with a Steam Threshing Machine in Operation

by Pybus, William.

The Interior of the Abbey of Westminster

by Prout, Victor Albert.

The Interview

by Rodway, Florence Aline.

The Intruders after Ansdell

by Livingston, Margaret H..

The Invalid

by Coventry, Frederick Halford.

Copper engraving, edition of 50 Exhibited in Drawings & Engravings by F.H. Coventry Exhibition, Twenty-One Gallery, London, 1930 (cat. 24); Josef Lebovic Gallery 1997 (cat. ...

The Invisible Hand

by Richardson, Elvis.

An ipad app called World Live Cams Pro allows the user to view live streams from security cameras located around the world.

The Invisible Man

by Gawronski, Alex.

Presented at Artspace, Sydney, 2012 Digital video, PAL, B+W, silentDuration: Two loops 4mins eachPlasterboard, timber, mdf, acrylic, enamel, perspex, photographs, digital video, data projector. Loop ...

Video Installation

The Irish Emigrant

by Dibdin, Robert Lowes.

The Iron Pot Light House, Mount Wellington

by Adeney, William.

The Isabella

by Malcolm, J..