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Abstracted Muster

by Hannaford, Robert.

Robert Hannaford and Mervyn Street collaboratively depict ‘a muster’ within Adelaide Central Gallery for the 2017 TARNANTHI: Festival of Contemporary Aboriginal & Torres strait Islander ...

Minns, B.E., b. 1863
B.E. Minns was introduced to art by the young Charles Conder, with whom he shared rooms in the 1880s. He soon developed a successful career ...
image of Tuckson, Tony
Tuckson, Tony, b. 1921
For much of his life Tony Tuckson's reputation was as the Assistant Director of he Art Gallery of New South Wales, passionately advocating for Aboriginal ...
Real Australians are Aboriginal

by

Collaborative work made with Matt F. 83 * 59 cm. Remix of Peter Drew "Real Australians Say Welcome" poster. Edition 60.

Two colour screen print on brown paper (approx. 180gsm/end roll).

Albert Namatjira

by Byrnes, Mona.

The first full retrospective of Albert Namatjira's work was the exhibition that opened the Araluen Arts Centre, Alice Springs in 1984. It was this exhibition ...

Wynne Prize, Art Gallery of New South Wales 2016

by Ken Family Collaborative.

Their painting of the Seven Sisters was awarded the Wynne Prize in 2016 and the exhibition subsequently toured NSW and Victoria

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by White, Anthony.

Motivated by revisionist histories currently at play in the global media, I made this painting to re-examine a dark period of Australia’s history, the so ...

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by White, Anthony.

Motivated by revisionist histories currently at play in the global media, I made this painting to re-examine a dark period of Australia’s history, the so ...

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

The Landscape is never Innocent - (After Mannalargenna), 2018 oil and ripolin 121 x 150.5 CM

by

image of Ernabella Arts Inc.
Ernabella Arts Inc.
One of Australia's oldest Aboriginal art centres. It began as an arts workshop established on the Ernabella Aboriginal Mission in South Australia in 1948. Since ...
image of Nannup, Laurel
Nannup, Laurel, b. 1943
Printmaker based in Perth, Western Australia, who works in woodcut and etchings. Nannup is represented in the collections of the National Gallery of Australia, Queensland ...
Bennett, Dorothy, b. 1923
Dorothy Bennett was introduced to Aboriginal art when she was a medical secretary accompanying Dr Stuart Scougall on an excursion to the Northern Territory. She ...
Buku-Larrnggay Mulka Centre
Art Centre based in Yirrkala that has fostered the careers of many Yolngu artists.
MIRDIDINGKINGATHI JUWARNDA SALLY GABORI DULKA WARNGIID – LAND OF ALL

by Gabori, Mirdidingkingathi Juwarnda Sally.

A memorial retrospective exhibition honouring the late artist.

Johnson, Tim, b. 1947
A painter by profession, Johnson initially studied architecture at Sydney University which is not surprising given his family's strong ties to architecture both in the ...
Smith, Margaret Anne, b. 1945
Smith was a documentary film maker and a member of the Sydney Film-makers Coop. She founded her company, Smith Street Films, in 1987 and created ...