by Weaver, Alison.
Selective embodied choices and finite gestures mock the so called arrogance of the decadent and a reflection upon the 'ritual sacrafice of energy' expended in ...
Cut crystal [chandeliers, mirrors, etched glass] [re]appears in the work as metaphor and reflection. An interrogation into the separation of absence and presence, subject and ...
Resisting representation the installation challenged the viewer, giving minimal clues to the meanings the works including a lack of pre-emptive titles. Source: Solo Survey Exhibition ...
by Hewson, Paul, Walker, Linda Marie.
An installation with video images projected onto opposite ends of the room. The videos are accompanied by multiple soundtracks. Source: Solo Survey Exhibition Linkage Project, ...
by Abdulla, Ian, Giles, Kerry, Kean, John, Koolmatrie, Yvonne.
Woven rush baskets on simulated green riverbeds, vessel structures, sculptural forms and their implied history. Pointing to the early colonial engravings which represent aboriginal women ...
by Buckley, Brad.
Decor of architectural surfaces that interlace by which the knot, is particular to this installation. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, ...
by Andrae, Craige.
Contents are unpacked from vernacular objects, such as a bowling ball bag where the ball and cloth have been taken out and placed on the ...
by Gill, Simryn, Hall, Fiona.
A knitted a matinee jacket, a bonnet and bootees, and made a rattle/teething ring from thin metal strips cut from Coke cans. The six pack ...
by Hart, Anton.
The exhibition is a personal journey into the mind of the neo-romantic, as the artist lays bare his soul. Broader concerns are with the notions ...
by Adil, Mehmet.
Elements of everyday materials: Room 1: 2,000 unspent matches piled on the floor, a violin bow tunnels through the top of the pile, 6 tall ...
by Vance, Warren.
Materials of domesticity signifying the 'feminine' displaced consumer goods reflect on the notion of 'beauty'. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, ...
by Martin, Rick.
A video showing a Protestant prayer group singing against the imperial architecture of Belfast City Hall. Work explores the mythical nature of industrial scale and ...
by Platten, Bronwyn.
Object communicate a sense of urgency or desire, the desire to be, in dealing with emotive things 'that fall outside language'. Source: Solo Survey Exhibition ...
by Hamilton, Antony.
Installations and assemblages from objects and materials either found or fabricated to play and mimic 'authenticity'. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of ...
Work is a reflection on measuring instruments and calculations devices making reference to Euclidean principles and ongoing cellular self-replication. Source: Solo Survey Exhibition Linkage Project, ...
by Moore, Katie.
Foam sheets acknowledged both the force of gravity, in their very construction, and also the experience of that force as that which causes matter to ...
by Chapman, Chris, Redford, Scott.
Artist explores the surfboard as an icon to become sublimated, or expanded, so that it becomes a 'painting' in itself. A reflection on the surf ...
by Henry, Georgi.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS CACSA 'Recollections' 1942-86
by Genoff, Karen.
Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS CACSA 'Recollections' 1942-86
Photographic and textual installation. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS CACSA exhibition archive
