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Barbour, John, b. 1954
John Barbour was an Australian Experimental Art Foundation council member from 1996-98, its council chairman from 1997-98. He was a long-time lecturer at the South ...
Kajio, Yoko, b.
A graduate of the South Australian School of Art, performance and photographic artist Yoko Kajio has exhibited steadily in Adelaide since around 1998. Her 2000 ...
Stephan Barron: Night and Day

by

In association with the Experimental Art Foundation, ANAT hosted an artist’s talk in December by visiting French artist Stephan Barron ...

Burns, Tim, b. 1947
WA based 'context artist' active since early 1970s.
O'Brien, Barbary, b. 1958
Contemporary regional South Australian cartoonist, painter, illustrator, mural painter, sculptor, community artist, writer and environmentalist.
Hamlet machine (not) (Lawyers, guns & money 2)

by Grayson, Richard, Redford, Scott.

Funded by Australia Council of the Arts. The artist's work references many different codings and languages: from those of advertising, fine art practice, popular culture ...

Liberals descending the staircase (Lawyers, guns & money 1)

by Grayson, Richard, Petrusevics, Andrew.

Funded by Australia Council of the Arts. In the work of Andrew Petrusevics this went as far as echoing the design and graphics of constructivism ...

Works and texts (Lawyers, guns & money 1)

by Grayson, Richard, Wedge, Harry J.

Funded by Australia Council of the Arts. H.J. Wedge's work consists of figurative paintings, made using the dot style, which refer to incidents and events ...

Super poke 1 (Lawyers, guns & money 3)

by Grayson, Richard, Tan, Laurens.

Laurens Tan used a monitor as the central focus of a piece that was essentially a non-operational poker machine, borrowed the form of a futuristic ...

25 Years of Performance Art in Australia

by Parr, Mike.

ALSO TOURED: The Performance Space, Sydney, NSW; Institute of Modern Art, Brisbane, Qld; Perth Institute of Contemporary Art, Perth, WA; Experimental Art Foundation, Adelaide, SA; ...

For lack of evidence (Lawyers, guns & money 2)

by Grayson, Richard, Mannall, Sally.

Funded by Australia Council of the Arts. This work used the witness request boards found on the streets of London where Mannall had been recently ...

Protein lattice (Lawyers, guns & money 3)

by Grayson, Richard, Piccinini, Patricia.

Funded by Australia Council of the Arts. Patricia Picinnini used nine monitors in a horse shoe shape, which carried the sound and image of a ...

Untitled 1982 (Lawyers, guns & money 1)

by Grayson, Richard, Reid, John.

Part of the Lawyers, guns & money project. John Reid has been working on a piece made up entirely of Australian banknotes since 1982. The ...

Let those who ride decide (Lawyers, guns & money 3)

by Grayson, Richard, Stevenson, Michael.

Stevenson's work was built around electric buggies which had been accreted with texts and stickers referencing a multitude of concerns, from politics to 'if you ...

Destiny Deacon: not another T-shirt (Lawyers, guns & money 2)

by Deacon, Destiny, Grayson, Richard.

Objects and photographs are speculative and from a reflexive, Koori perspective, pointing to (ab)uses of indigenous cultures within history and current media. The use of ...

Subject to change: Fiona Hall

by Hall, Fiona.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS National Library of Australia catalogue Exhibition Catalogue: Subject to change / Fiona Hall. Adlelaide: ...

The Pam Harris show

by Barrett, Di, Grayson, Richard, Harris, Pam.

This exhibition was part of a dual project - the Adelaide Festival Centre's Artspace exhibited a retrospective of the prints of Pam Harris, whilst the ...

Blind side

by Cullen, Adam.

A group of new paintings that presented a particularly idiosyncratic view of contemporary Australian life filtered through the inner-suburban environment, painted on large sheets of ...

Rebecca Cummins: descending metaphors and liquid scrutiny (Lawyers, guns & money 2)

by Cummins, Rebecca, Grayson, Richard.

Part of the Lawyers, guns & money project. Rebecca Cummins stacked monitors six high in a work from 1991 called Descending metaphors in which an ...