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Link Exhibition (No 1): Still life 2: Imants Tillers

by Tillers, Imants.

The first artist to be featured in the 'link' exhibition program, which aimed to present small exhibitions by Australian and other artists who may otherwise ...

Send a postcard today

by Burns, Tim.

A link exhibition in which the public could take and post the postcards that were the work in the show. Source: Solo Survey Exhibition Linkage ...

Everybody should get stones

by Sheridan, Noel.

A link program exhibition featuring a 'non-object' by the artist. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS AGSA annual report; UTAS ...

Mike Parr: A-Artuad (against the light) self portrait at sixty-five

by Parr, Mike.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS NGA annual report

Rosalie Gascoigne, 1985

by Gascoigne, Rosalie.

Art Exhibition Committee, University of Tasmania. Tasmanian Arts Advisory Board; Visual Arts Board, Australia Council Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, ...

Ti Parks

by Parks, Ti.

A Link contemporary art exhibition. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS AGSA annual report

Terry Smith

by Smith, Terry.

A Link contemporary art exhibition. Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS AGSA annual report

Yellow earth, black hole

by Pryor, Gregory.

Whilst crossing the Shanxi and Ahaanxi Provinces with Chinese artists on a 1997 Asia link residency, Gregory Pryor became intrigued by evidence of subterranean activity. ...

Work in progress

by Richter, Sue.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Stephanie Britton (ed.) A decade at the EAF: A history of the Experimental Art ...

Door & installation from the Gaelic

by Watt, David.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Stephanie Britton (ed.) A decade at the EAF: A history of the Experimental Art ...

Voyages of discovery

by Grayson, Richard, Vu, Trinh.

Trin Vu used computers to make paintings. The work was generated on screen and then printed out, at some considerable size, onto a variety of ...

Liberals descending the staircase (Lawyers, guns & money 1)

by Grayson, Richard, Petrusevics, Andrew.

Funded by Australia Council of the Arts. In the work of Andrew Petrusevics this went as far as echoing the design and graphics of constructivism ...

Hamlet machine (not) (Lawyers, guns & money 2)

by Grayson, Richard, Redford, Scott.

Funded by Australia Council of the Arts. The artist's work references many different codings and languages: from those of advertising, fine art practice, popular culture ...

Derry Messum: regional myths: a classical revival, Coledale

by McPherson, Niall.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Wollongong City Gallery annual report 1990; http://www.dickersongallery.com.au/artists/messum/messum.html (20/03/04); National Library of Australia catalogue Exhibition ...

You can't hide in a small town

by Brown, Debra Liel.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Wollongong City Gallery annual report

Journals of Anthony Mannix

by Mannix, Anthony.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Wollongong City Gallery annual report

Kevin Malloy

by Malloy, Kevin.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Wollongong City Gallery annual report

Peter O'Brien: resident artist

by O'Brien, Peter.

Source: Solo Survey Exhibition Linkage Project, Tasmanian School of Art, UTAS Wollongong City Gallery annual report

Ian White: spirit traps

by White, Ian.

An exhibition of recent works in leather and mixed media. Supported by the Crafts Board of the Australia Council. Source: Solo Survey Exhibition Linkage Project, ...

Mediation

by McCosh, Liza.

A multimedia exhibition large scale oil paintings together with a number of computer generated/manipulated imagery directly derived from the paintings and their source material, on ...