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I'cing: eight poems

by Graf, Michael.

[Melbourne?]: M. Graf, Limited edition of 60 copies, 1 folded sheet ([7] leaves): col. ill.; 21 x 21 cm.

Works on paper

Icon to a stolen child: Blood

by Dowling, Julie.

37.5 x 27.5 cm

synthetic polymer paint, red ochre on canvas

Icon to a stolen child: Fetish

by Dowling, Julie.

40.5 x 27.5 cm

synthetic polymer paint , red ochre on canvas

Icon to a stolen child: Fire

by Dowling, Julie.

40.5 x 27.5 cm

synthetic polymer paint, red ochre on canvas

Icon to a stolen child: Ghost

by Dowling, Julie.

40.5 x 27.5 cm

synthetic polymer paint, red ochre on canvas

Icon to a stolen child: Perth

by Dowling, Julie.

40.5 x 27.5 cm

synthetic polymer paint, red ochre on canvas

Icon to a stolen child: Resurrection

by Dowling, Julie.

40.5 x 27.5 cm

synthetic polymer paint, red ochre on canvas

Icon to a stolen child: Self-portrait

by Dowling, Julie.

40.5 x 27.5 cm

synthetic polymer paint, red ochre on canvas

Icon to a stolen child: Sunbeam

by Dowling, Julie.

40.5 x 27.5 cm

synthetic polymer paint , red ochre on canvas

Iconica: an interactive artwork of artificial lifeforms - Flyer

by

Troy Innocent's Iconica: an interactive artwork of artificial lifeformsFeaturing sound and music by Ollie Olsen.Programming by Troy Innocent and Stephen Taylor.Artspace. d/Lux/MediaArts

Ima Traveller

by Driessens, Erwin, Verstappen, Maria.

Ima traveller is computer software to explore an infinite universe ...

software

In Search of the Rainbow Serpent - a Collaboration

by Patten, Rochelle.

In my mother's garden

by Croft, Brenda L.

In the Shadow

by Laurence, Janet.

In the studio: original lithographs

by Senbergs, Jan.

Melbourne: Lyre Bird Press & Zimmer Editions, limited edition of 30 copies, [7] leaves [some folded]: ill.; 51 cm.

Works on paper

Indelible (various works)

by Edwards, Sandy.

Industrial Cathedral

by Bennett, Jane.

131 x 131 cm © Jane Bennett

Charcoal on paper

It Cuts Both Ways

by White, Susan Dorothea.

It cuts both ways

by

120 x 46 x 10 cm “Referring to the balance between gender and races, the bold sculpture suggests that any potential movement of either pair ...

carved salvaged Huon pine, fabric, shears, paint

John Gillies: Armada

by

Museo de Arte Moderno da Bahia, Salvador, Brasil Scanlines

One person exhibition